«Meet the artist» Sayaka Shoji

Published: 22 November 2024

Sayaka Shoji is a Japanese violinist who is internationally recognised for her unique artistic versatility and detailed approach to her chosen repertoire. We asked the artist, who will be performing with the Tonkunstler Orchestra at «Brahms & Dvořák» in Grafenegg on 18 January, for an interview!

I was very lucky to live in 3 European countries and learned 3 most important languages for classical music. I think the language is connected to musical language, and its mentality to musical universe in certain manner. And I love the difference of cultural background of these 3 countries.

As a Japanese person, not only caring about the details, but also feeling a special connection to nature, ancestors, and spirituality. My grandma’s family has been keeping a historical buddhist nunnery since 12th century, and some of them have been the priest. So sometimes that sort of strong spirituality starts to dance in my blood. 

It opened so many doors, starting from audition with Zubin Mehta. I felt like i was pushed to jump into the ocean suddenly after learning how to swim... I could not be luckier, at the same time, quite violent I must say, for such young age.  I am deeply grateful till this day to be surrounded by people who warned me to be careful not to over-focus on the career, and always keep enough time for myself, to balance study and doing other things, which I still respect nowadays. 

It is an experiment out of curiosity. Since I often have had images in my mind when I listen or play the music, so I wanted to see what happens if I make it visible. It’s also a symbolic work, as it is basically the work of the poet. It is the work to catch something which is already in the air, and try to make it audible or visible. I see my subconscious universe, through visual work. I don’t know if that is useful, but it’s interesting for me.

In studio recording, we seek for the perfection which does not exist, whereas I like live performances as my goal is to experience the music fully as once-in-a-life-time event. Even the repertoires I have played many times, there are never two same performances. And sometimes something magical can happen on stage, which rarely could happen in studio. I find it valuable.

Here are some of my favourites, including those who were close to Johannes Brahms / Clara Schumann. Sergiu Celibidache‘s complete records were the ones I listened most in my childhood.